Playing and Preserving
Using new and creative approaches, Playing and Preserving aims to generate public support for the preservation and active use of Philadelphia’s pipe organ heritage by building relationships between congregations, artists, music lovers, organ builders, and the broader public.
Philadelphia’s pipe organs, and the sacred places that contain them, are some of the city’s greatest treasures. Yet, changing religious landscapes, musical tastes, and technology over the last 20 to 30 years are putting both sacred places and their historic pipe organs at risk. One expert estimated that nearly 50% of the instruments featured in the Organ Historical Society’s national convention in Philadelphia nearly twenty years ago maybe be partially destroyed, dormant, or unplayable.
Playing and Preserving will identify key historic pipe organs at risk in sacred places throughout Philadelphia’s neighborhoods; activate these important instruments through technical assistance and support to the congregations that steward them; and work with project partners and artists to develop presentations and concerts that engage the local community in preservation through music. Project components include:
- SURVEY HISTORIC PIPE ORGANS AT RISK OUTSIDE PHILADELPHIA’S CITY CENTER
- TRAINING AND SUPPORT FOR A COHORT OF TEN CONGREGATIONS
- PILOT PERFORMANCES IN A UNIQUE SPACE WITH ASTRAL ARTISTS
Partners is collaborating with pipe organ students from the Curtis Institute of Music to conduct an innovative survey of up to 50 historic pipe organs at risk in sacred places outside of Philadelphia’s urban core. Data on instrument construction, condition and age will be collected along with information about congregational health, collaborative readiness, openness to the arts, and other key factors. Their findings, including audio recordings of the pipe organs and photos of the sites, will be made available to the public through an online database.
An Advisory Committee will invite up to ten congregations from the survey to participate in a training and capacity-building program. The training will be adapted from Partners’ highly-regarded capacity-building programs to incorporate the historic organ as a key physical asset of the congregation. Each congregation will receive a full conditions assessment of its instrument, a guide to repair and restoration, and direct technical assistance to catalyze efforts to fundraise and preserve their instruments. Grants will be made available to support organ preservation work. Each grant will be matched on a one-to-one basis by the recipient church, using funds from other sources and/or in-kind support.
One sacred place participating in the program will be selected as a pilot project site for site-specific programming that engages the local community in preservation through music. Astral Artists will organize a series of performances and events, including workshops for children from a local school, which will highlight the historic pipe organ in ways that juxtapose and combine genres and styles of music such as gospel, jazz, classical and others.
Advisory Committee Members
JONATHAN M. BOWEN, ORGANIST, ST. LUKE EPIPHANY
MICHELLE CANN, PIANIST AND EDUCATOR, KEYS TO CONNECT
DUSTIN HURT, DIRECTOR, BOWERBIRD
DR. MARTHA JOHNSON, ORGANIST, CHOIRMASTER, EDUCATOR
ALAN MORRISON, PROFESSOR, CURTIS INSTITUTE OF MUSIC
PATRICK J. MURPHY, ORGAN BUILDER, PATRICK J. MURPHY & ASSOCIATES
JAMES STRAW, AIA, PRESERVATION ARCHITECT
DAN VISCONTI, ARTISTIC DIRECTOR, ASTRAL ARTISTS
KAREN WHITNEY, ORGANIST AND CHOIR DIRECTOR, SALEM BAPTIST CHURCH
Major support for Playing and Preserving has been generously provided by The Pew Center for Arts & Heritage, with additional support from Wyncote Foundation and The 25th Century Foundation.